Mini-reviews, part eight.

[Previous mini-reviews here. In short, the idea is to write miniature film reviews out of a randomized list of what I had watched at a certain point in time. Nowadays the list would be about 30 films longer but I'll continue to do these until the list is finished..]

71. Meera (1979) - This Gulzar-directed gem was quite possibly the first or the second Vinod Khanna film I ever saw, about the life of Hindu saint Mirabai, and I fell in love with it. It's a bit slow in pace so might not be everybody's cup of chai, but I love it, for the haunting atmosphere, for Hema Malini's performance, and last but not least, Vinod.

72. Sethu (1999) - Vikram's first big break in films, a tale of obsessive love, later remade in Hindi as Tere Naam (which I've not seen). It's certainly a good film and a good performance by him, but doesn't really make it to my top favourites.

73. Tashan (2008) - It's complicated between me and Tashan. Some days I think it's a criminally underrated gem, other days I think it's a flawed but fun masala rollercoaster ride. Most often I think that regardless of its bad reputation and its a little too tryhard plot, people really ought to give it a chance. Akki is awesome in it, as is Bebo. The fact there's too little Sakshay in it kills me, but it's something I've learned to get over.

74. Bhool Bhulaiyaa (2007) - It probably pales in comparison to the Southie versions of the story but it's a decent Priyadarshan film anyway. A little masala, a little ghost story, excellent climax and somewhat memorable performances from Akshay and Vidya Balan.

75. Parineeta (2005) - This is one of those films I probably should have watched once and called it good. But then I rewatched it like three or four additional times and was considerably worn out. It's a good romantic role for Saif and an excellent debut by Vidya Balan, but it is still a flawed film and the flaws become more and more distracting the more I've watched it.

76. The Namesake (2006) - Tabu and Irffan together! Kal Penn being his awesome self! This film was so good when I initially saw it, pitch-perfect at every step, but the more time wore on, the less I liked it. It's a strange one, but as one of those films that people who normally don't watch Indian films see, it's worth seeing.

77. Keemat: They Are Back (1998) - An absolute Sakshay classic. I'm proud to say the cheesiest film poster on my walls is of this one, and it's an utter winner with the pleather worn by the guys and the random musical instruments shown off by the girls. The above DVD cover is no less of a winner. Keemat is .. well, it's probably an average funtime 90's cheesefest. But to me, it's something else. Namely, it's a Sakshay film where I also really like the heroines (Sonali and Raveena kick ass in this!). But you know..

78. Dillagi (1978) - It's a very sweet, low-key romantic comedy with Hema Malini and Dharmendra. I think it's most memorable for the fact Dharam plays a poetic Sanskrit teacher, and not a He-Man type of character. Never the less, I've never actually rewatched this one. Time might just golden memories..?

79. ...Yahaan (2005) - Filmed through a million blue-hue filters, this is quite a lovely film about Kashmir conflict, and the story of one soldier (Jimmy Shergill) and a local girl (Minissha Lamba in her debut role!). It's another one I really ought to rewatch... I own it so I guess I must've liked it but cannot for the life of me remember why.

80. Dhool (2003) - Absolutely stellar comedy/romance/action flick in Tamil; my first Tamil masala; my first Vikram film; one of my all-time favourites. I could watch the picturizations until cows come home. It's just so good and so much fun and Jothika is an awesome spunky sort of heroine here and Vikram just looks his best and yeah. Watch it. Watch it again.

The filmi year 2008.

I already said in the review for Rock On!! that it felt like 2008 was less of a year for Indian films than 2007. Each year I miss out on films that came out during that year, and weirdly enough, the films I missed out on in 2007 (such as Chak De India, Aaja Naachle and Bhool Bhulaiyaa) were some of the ones I enjoyed the most this year. So perhaps 2008 will also reveal some interesting flicks during 2009, but so far, having seen most of the big films of 2008, I feel rather unexcited.

Filmi Girl detailed her disappointments and favourites for the past year, but I'll lay out how the year was for me in a different format.

The Film That Should've But Wasn't: Jaane Tu Ya Jaane Na

I understand I am completely in the minority for this one. I guess it was hype overkill; all the praise showered onto the movie, its plot, "freshness" and its stars, you forget it's still a debutante film director and first films are rarely if ever flawless. I liked Imraan and the kind of youthful romance/friendship themes should be exactly just my thing but something fell short in Jaane Tu. I thought about it a lot and came to the conclusion that despite loving Genelia in Bommarillu, I wasn't into her character in this film at all. While I love the song "Kabhi Kabhi Aditi", the picturization of it pinpoints what turns me off about her character; she feels things so extremely and doesn't even try to get over the devastation of losing a pet, and so comes off as this generally high maitenance little lady. I just raised my eye brow like, "Geez, cheer up emo kid!".

The romance doesn't quite work, I suppose because we see them being friends and essentially already in love. When you fail to see the process of the relationship, sometimes you buy it, sometimes it makes you feel like you're missing out on something that would've made you more into the movie.

But I don't want to argue these points - if you liked the movie, I'm happy for you. Just trying to detail the reasons - more to myself than anybody else - of why I didn't like it, even though I was so sure I would!

Ladies And Gentlemen, We Have a Clear Loser: Race

In my initial review, I was almost happy to have seen Race, because it's sometimes nice to mock something so completely. But in retrospect, god, what a wasted opportunity. You have perfectly capable actors like Saif, Anil and Akshaye, and some okay-to-whatever actresses like Bipasha and Katrina and the only real offering of the movie are awkward songs with skintastic picturizations. Yawn. And yet, this one was a box office success! India, sometimes I just don't understand you...

Veracious Goes Against The Grain: Thoda Pyaar Thoda Magic & Tashan

So I hated Race but the other two Saif films this year, yes, the ones that absolutely tanked in the box office, I quite liked! Thoda Pyaar was a saccharine sweet Disney film in Hindi but it worked, thanks to the sincerity of the director and the brilliance of Rani Mukherjee. Tashan on the other hand, flawed movie that could've been so much better, but also a fun action masala that proves why Akshay Kumar is one of the top stars in India and why Kareena Kapoor excels if you give her a good role.

Close But No Cigar: Dostana

I really enjoyed Dostana but it doesn't quite end up on the "oh em gee favouritest ever in the universe" list of films. It had flaws, but even more annoying, it had flaws that bugged me. The first half was a pretty damn good comedy, though, and I'll be getting it on DVD. The soundtrack is also my most-listened-to of the year.

Call Me a Groupie: Rock On!!

I don't have quite as clear a favourite this year as last year with Aata, a Telugu film I loved to pieces despite it's cheesiness. But if I had to pick one, it'd probably have to be Rock On!!, a fun film that I'll probably be rewatching a lot.

Missing Out on the Biggies: Bachna Ae Haseeno, Rab Ne Jodi.., Ghajini, Yuvraaj, U Me aur Hum..

It seems like the best films this year were the not-so-big, not-so-mainstream ones, but I definitely do want to see some of these big name movies. Maybe next year.

Film Experience of the Year: Jodhaa-Akbar

I saw this in the theaters thanks to being able to visit the UK in March and wow, what an experience. The most epic film of all time, surely, and the epicness was certainly over-whelming. It gets boring every now and again, but to make up for it, there's hot chemistry, intense romance and elephants. There are few things I love more than elephants. Did I mention .. elephants!

And a final plug to everybody and anybody visiting London:

Ayngaran Video
30 High Street Colliers Wood
London, SW19 2AB

Take the Jubilee Line (if I recall correctly) to Colliers Wood, follow the street you get on when you get out of the tube station, and find this shop. Ayngaran is the best releaser of Tamil DVD's and their London shop is full of offers, and a very nice helpful staff, brimming with movie recommendations. Highly recommended!

PS.

Navel-gazing ahead: Yeah, my blog was featured in the press a smidgeon this year. It was awkward, but also pretty cool. Here's the latest, on Filmfare October or November or whatever:


Thanks to Reema for the scan!

I might post before 2009, I might not. If not, have a great new year, guys!

Why not take a course on interior decoration? *

Internet is one amazing enabler, I can tell you that. Not only is it the thing that allowed me to get into Bollywood beyond those 60 minutes of K3G that were my first encounter with Indian cinema, it has also been the reason my interest is alive and kicking, and also allowed me to decorate my room accordingly. I got some new posters last week, and redecorated my walls so I thought I'd share the results with you.

In the above picture we see the oldest Bollywood poster I have, one Devanagari one of DDLJ, celebrating Yash Raj Films' silver jubilee. I love the poster to pieces; not only is it gorgeous, I love deciphering the writing on it, and am glad to tell you the lines at the very top are lyrics from "Mehndi Laga Ke Rakhna"!

Next to DDLJ is a new addition; a Sholay poster celebrating "first time in cinemascope 4 track optical sound!". I have no idea what that means but I really like the poster; it's full of fire, full of embers and full of action! You also get the title in Devanagari and the characters besides Veeru and Jai in the smaller pictures on top.

I have a weakness towards Devanagari in film posters, so next to the firey Sholay one, we have a cheesy Devanagari poster of Keemat (a Sakshay classic, read about it here). Everything about it is unholily awkward, a hasty Photoshop job in other words, but I love it to death anyway.

So where do I acquire these posters, you may ask. eBay! Yep, the den of online sellers of all shapes and sizes, you can find all kinds of Bollywood memorabilia. My choice is store this time was The Absolute Indian Store, who I can personally vouch for and their overall rating on eBay is high, too, so I'm not the only satisfied customer. On eBay in general of course it pays to be a little wary.

Since I mentioned Keemat, the prices (see what I did there?) for these posters are not sky-high and at least at the places I've shopped at, the shipping has also been very reasonable. In fact, I've counted that I've been able to buy three Indian movie posters for the price of one Hollywood poster at a local store. Of course, the Bollywood posters can have slight fold marks and worse paper quality, but considering how pretty and awesome they are, who cares?

Here's my room door with another Sholay poster on it and a Tashan poster I ordered back in April. How I came to acquire two Sholay posters is a long story so I won't bore you with it. This second one has an older feel to it; whereas the first one has an email address for the printing company, this one does not, the paper is thinner and the design is messier. But it successfully displays all the elements of Sholay's action masala; you've got your angry heroes, your beautiful dancing village belle - in fact one of the reasons I really love this poster is because there are three depictions of Basanti in it! One as the damsel in distress with Gabbar, one of her with her tonga & Dhanno, and one from Holi Ke Din, dancing. Compare this two the two depictions of Gabbar you have in the poster.. Yes, I think we all know who the real main character of Sholay is now. And of course, the poster is Devnagari, my weakness.

The Tashan poster is pretty ace, I especially like how I accidentally placed it so that the text is actually horizontal whereas the poster itself is enormously tilted. I also enjoy the fact it's next to the Sholay poster; Tashan is so influenced by films of the 70's, it just feels very appropriate.

Last but not least, on the other side of the room, next to the window and overlooking my bed, is this poster for the coloured 2004 version of Mughal-e-Azam. I've actually never seen the coloured version but the poster is really lovely, complete with elephants and the tag line: "The Biggest Indian Film Ever" - can't argue with that! Interestingly, the only makers the poster mentions is the director K. Asif and the music director Naushad.

I admit my criteria for this particular selection of film posters is eclective. While surfing eBay for posters, I overlooked many, many favourite movies because I didn't like the design of the poster. On the other hand, I picked Keemat despite the campy design. When I was done setting up the posters, I realized I had posters of three of the arguably biggest Hindi films ever made, and then two posters of cheesy Sakshay ventures that never made it big in the box office (or in most people's minds). How's that for a mixed bag? Regardless, the posters make me feel at home in my small flat.

* This, as some of you may recognize, is a spoken word line in the Hum Tum song "Ladki kyun". It just seemed all too appropriate.

The good, the bad and the misunderstood. Tashan.

It's a little bit weird to review a movie such as Tashan, which received a lot of hype prior to its release but never lived up to the expectations of the audience. Critics were less than fond of it, as well, and pretty much all of the Hindi movie loving crowd rejected the film. Of course there were things other than the film's quality that affected this catastrophic box office success; promotion was far from aggressive, and it clouded the film's actual plot in mystery. The director Vijay Krishna Acharya discussed the movies of his youth and how he and producer Aditya Chopra modelled the promotion according to those days; the days when you knew next to nothing about a film and had hardly seen a trailer when walking into the theater.

This promotional campaign, no matter how unuseful, was not the only thing Acharya took from the 1970's Hindi cinema. In a brilliant essay on 70's masala, Tashan and Om Shanti Om, Filmi Girl details all the throwbacks that make this film indeed seem like a grandchild of the days when Ajit was the villain, Amitabh was the hero and Pran featured in nearly every film you would see. Another fantastic review that gave me a bundle of interesting things to ponder regarding the movie was that of Qalandar's, which focuses on the topic of language in the movie - the Hindi, the English, which the characters speak and understand, and how this reflects them and their importance in the film. (Both of the linked reviews contain spoilers so surf carefully!)

The thoughts sparked by these reviews mark at least one thing - Tashan may be the brainchild of Dhoom 2 writer Acharya, but it is a far cry from the metro-crowd pleasing sleek action that the Hrithik starrer provided us with. In Tashan you have sand-dust and blood, revenge and betrayal. The true masala dish is also spiced with an awkward 'item number' where Kareena attempts to shake the booty Aditya Chopra told her to diet off, but the brief song scene is about the only thing that really reminds you of the writer's previous work.

The movie begins with Saif Ali Khan's Jeetender who in true urban fashion has turned into Jimmy, an English-speaking, English-thinking call center executive and part-time English teacher. He addresses the camera directly and brags about his lady conquests - the combination is somehow a turn-off and generally I regard the beginning quite poor. It alienates even me, the biggest Saif fan, by presenting a character that is like a poor, exaggerated replica of his characters in Salaam Namaste and Hum Tum. Jimmy meets Pooja (Kareena Kapoor), a beautiful girl asking for help, which leads him to teaching Anil Kapoor's cartoon-y villain Bhaiyyaji English. Jimmy is less concerned with teaching English, however, as he is with oggling at the beautiful Pooja. As luck would have it, though, she turns out to be quite the bag of tricks, leading Bhaiyyaji to call Bachchan Pande (Akshay Kumar), an UP wannabe-gangster, to work with Jimmy and catch the girl who cannot be trusted.

After the story truly kickstarts, following Pooja's disappearance and especially Bachchan Pande's powerful and amusing entrance, Tashan transforms from an awkward, messily narrated film into a fun masala ride that endeared me to its characters, its performances and its storyline. It's by no means the perfect film - besides the beginning, there are a few scenes and few plot diversions I think could be smoother or just better, but overall, I really enjoyed it both of the two viewings I've given it so far.

Saif's character Jimmy I only began to warm up to half-way through my second watch. It helps to see the character as the opposite of Bachchan - the illiterate who speaks a Kanpur-accented Hindi versus the urban English-speaker achiever. They don't have a lot of scenes together, but the relationship is important to the film, though it's clear that one learns more from the other than vice versa. On the other hand, Kareena's Pooja is the truly central character. While Akshay has the presence to carry the story, and he is easily many people's favourite thing about it (indeed Bachchan combines beautifully a lot of the things that Akshay can pull off - the comedic fool, the action hero, the romantic lead), Pooja brings something that Hindi film heroines sometimes lack. Not only does she kick ass and take names, she has the guts to toy with the male characters, and at the same time, have a vulnerable side to her. And despite her slightly too skinny form, Kareena looks gorgeous in the movie.

The film has its share of whacky moments, most importantly the song picturization of "Dil dance maare", which has an explanation and an amusing context in the film, but still makes you ask, "what the hell were they thinking?". Regardless, maybe the explanation is that they were thinking. The lyrics of the song read as a Hinglishized parody for Bollywood song clichés. Instead of 'gori gori', you get 'white white'. Is it a Hinglish song to mock Hinglish songs? Whatever it is, it's not to be taken seriously.

I'm a big fan of the soundtrack. Vishal-Shekhar have provided the movie an Indian rock sound, heard as electric guitar on several tracks and especially in the title song which brings some definite attitude. It's not everybody's thing, but as somebody who used to mostly listen to American rock before Hindi tunes came to my life, it suits me perfectly. Out of the picturizations, besides the crazy fun "Dil dance maare", my heart belongs to the beautiful "Falak tak", featuring Kareena and Akshay in various Indian locations.

Action movies have been far too sleek nowadays, but this film offers up rough and dirty fight scenes in an abundance. The action director Peter Hein has previously worked in the South, but while entertaining in here, I think his best work remains in the Tamil industry, for example the recent Rajni film Sivaji. Regardless, the scenes fit in the tradition of Hindi films - the gore of the post-Sholay industry. No bullets or wire-work go spared, and it could certainly be better, but I enjoyed a lot nonetheless.

Anil Kapoor's Bhaiyyaji is a confusing combination of a twisted, cold-hearted killer, and an amusing villain who speaks funnily. Regardless, the man is perfect for the role, and it's quite a wonder how accurate the overall casting for the film is. Kareena is given a very cool female role which she pulls off well, everybody but Saif as Jimmy would be a knock-off, Akshay was tailor-made for Bachchan and even the minor character casting seems pitch-perfect (the back stories of the main cast feature wonderful young talents).


If I have one major complaint to voice about Tashan, it would be the use of the title in the film itself, which strikes me as horribly gimmick-like. The look of the characters is mostly inconsequential and for example Saif's moustache does nothing but give me the creeps. To say any film is about "style" is to undermine its story and heighten the superficial qualities and despite what people may say, this is not a vapid film. It's a film like any film - made to entertain, but to call it stupid is to ultimately sell it short. But I suppose in the end the 'tashan' of Tashan is not about hair or looks, it's about the 'style within', the attitude and confidence.

So far, yet so close.

As soon as I get a day off, which should be Friday, I'll get around to reviewing Tashan. I basically just need more free time to type up all my thoughts in a massive, massive entry.

Warning: I liked it. I realize 90% of rest of the world did not.

To anybody and everybody surfing here through the Tehelka article..

The article that talks about the non-Indian, Bollywood-loving blogosphere is here and quotes me in its third paragraph. No surprises there, I am the girl way too into a certain male-male actor jodi from the 90's.

I'm as embarrassed as I am amused. But now I feel like I should put this new-found publicity into good use.

Dear Yash Raj Films,

It was thanks to me that your latest production, Tashan, was mentioned in the prestigious magazine Tehelka. If you would like to pay for my continuing promotional effort for this movie, I accept cash, PayPal and Saif.

Last method of payment preferred, but I could use the money, too.

You are most welcome.

And now, a random picture of Aftab and his bachelor philosophy in life:

Tashan is slowly killing me. Emphasis on "slowly".

In Finnish there's an expression, "to wait [for something] like the rising moon" (odottaa kuin kuuta nousevaa - originated, I think, in a song). I've never waited for the moon to rise but I'm pretty sure it can't be worse than waiting for Yash Raj Films to start finally promoting their up-coming masterpiece by the name of Tashan.

The above picture is one of the few released stills we have of the movie, aside from paparazzi snapped shots (those we have two of, and they don't tell much). With the release of the Saif film Race, there were two short (and I do mean short, maybe little over 10 seconds in length) promos put out, which give us instrumental clips of the songs, with some groovy, over-the-top shaking done by the movie's three leads; Saif and Kareena in one promo, Akshay in another.

If you've never followed a Bollywood movie coming out, they usually let the film sink into the consciousness of Indian people for a month or two with the release of the soundtrack, hoping it'll catch on. They'll have song promos, dialogue promos, trailers running on television to make sure people not only hear the film, but see glimpses of it, and remember the release date - so they may drag themselves to theaters. But Yash Raj Films, perhaps having too much faith in this hyped movie starring BO king Akshay Kumar and the hottest 'it' jodi of the moment, Saif-Kareena, is letting the promotion be of the more "intriguing" kind.

The sad fact? I really doubt it'll work.


But who knows. The main reason I'm annoyed and impatient is because I.want.this.film.so.bad. It looks like it was made while on crack, then rolled in crack, deep-fried in crack and served with crack on the side. It looks fantastically insane and self-awarely goofy, and even if the goofiness is unintended, I will roll on the floor laughing and loving it, for certain. And the soundtrack, based on the pathetic little promos they've given us so far, sounds very ace indeed.

And come on, just look at it. Words simply fail to describe my enthusiasm, and my growing frustration with every day going by that there seems to be no development around this movie. They're trying my patience and killing me and succeeding in it, too.

If there continues to be no news about the soundtrack, come April 1st, you can see me going commando on this film banner. I'm going to knock them out like Bebo shadowboxes here ..and worse!

Oh, and the film releases April 25th - since it seems I have to do YRF PR office's job for them.

Introducing Sakshay, part 1: Tu Chor Main Sipahi.

So while waiting for my favourite money-hungry (but in their defence, they do greed in style) banner, Yash Raj Films, to get off their bums and release the soundtrack of Tashan, my most awaited movie 2008 (and perhaps ever), I thought I'd do reviews for all of the five previous Sakshay movies in here.

In true Sakshay tradition, I begin from the worst and work up to the best.

Tu Chor Main Sipahi is a cringeworthily bad movie. I mean, it is just so unexcitedly unterrific I would only recommend it over driving yourself off a cliff as far as ways to spend time go. The title sums up the plot; Saif is a thief and Akshay is the cop who abandons rules for the sake of justice, hunting down the hard-to-catch thief that is Saif. Add a village, a villain, awful songs and the awkward presence of Tabu (poor girl!) and you've got Tu Chor.

Whatever good things my Sakshay-biased brain might delude itself into seeing, the boring badness of the film completely brings everything down. There is simply no campy so-bad-it's-good factor to make the film enjoyable. None. The usually delightful Sakshay dynamic is poor here - the two as enemies might be interesting but the script is simply hopeless.

The best thing about the movie is that it ends, and that it ends like this. No, I don't mind spoiling you the whole movie. Anything to make sure you don't watch it. I'm usually of the view people ought not to be spoiled movies, any movie, unless they so wish themselves. This time, I will make an exception.

Don't see it. And if you must defy this humble request, at least don't pay for it.

A round-up of sorts.

I was going to type up a post about an old favourite of mine, Anniyan, but instead got an idea to do this..

• I'm going to be in England - not just London - March 2nd-12th. The gods of Bollyluck are not on my side; the only decent Indian movie playing in theaters during that time will be Jodhaa-Akbar. Oh and Subhash Ghai's latest which will premiere on the 7th. Whoopdedoo. I'm disappointed but looking at the positives; JA is getting good reviews, and there is more to England than Indian movies. I am, after all, visiting about five locations and going to two gigs whilst there. And plenty of Indian food will be available!
• Nothing new on the Tashan front. Okay, that's a big fat lie and I now it; recently Akshay replied in an interview that he looks best with Saif. I could make this stuff up but luckily this time, I didn't have to.
• If you're tired of looking at Kareena's diet photos, Piyaara did a wonderful picspam of his favourite actresses in South-Indian films, you know, where the ladies are allowed a few pounds extra. And you know what? They still look amazingly beautiful, as this list proves.
• I'm going to be watching a Hindi oldie called Shaque (starring Vinod Khanna & Shabana Azmi) in synch with Filmi Geek tonight. Exciting!

That's it from me for now.

Obsession has a second name and it is ...Tashan!

Baba demanded I write a post on Tashan, my most anticipated Bollywood movie perhaps ever, as I seem to be the ultimate authority on all things Sakshay. The trailer and some teaser wallpapers are available at the YRF website, should you want to check out what the big deal is.

Most of you have probably already read my Sakshay "manifesto" and thus know what's what in the world of Saif-Akshay wonders.

I love them. I love them so, so, so much.

But I'm a realist. It's a YRF action film directed and written by the very person who wrote the Dhoom movies. Yes, because Dhoom films were so well-known for their clever scripts, their observant social commentary and their layered performances. I have nothing against Vijay Krishna Acharya and I'm sure he was plenty of vision as a director but those credentials don't really tell much. However, to his defence he also scripted dialogues for Mani Ratnam's Guru and the delightful (but very Hinglish) romcom Pyaar ke side effects.

So even if these things do not speak for Tashan or its success, perhaps the wildly delicious-looking little trailer does. There's the rugged, badass Akshay, the ice-cool Saif, Kareena looking ready to blow the place up and ask questions later and Anil, who's cool despite the fact animal prints never are and never will be. There is a shiny gun and an orgasmic shot of bullet shells hitting sand. All in all, the trailer makes sure we know exactly what to expect from the film; a violent, glorious 100% commercial action spectacle where logic will most likely take the back seat while the bullets fly left and right. Think Dhoom with less bikes, more Sakshay? Oh yeah, baby.

There were news of Kareena shooting a bikini song scene for this movie. Was I surprised? Not in the least.

I keep telling people this is the best movie of 2008. In fact, I've sort of been saying this since I first heard the news way back in late 2006. I may have also used the phrase "best movie ever". I may have also subliminally lead other people to using the same phrase. I hope everybody understands that this doesn't mean Tashan will be a a good movie.

The thing you should know about Sakshay is that they haven't done a single honest good movie. You have good Sakshay movies (and bad ones), but you don't have good Sakshay movies. The distinction is very important because it puts this movie to perspective. Sakshay has previously been cheesy, unintentionally amusing, vaguely homoerotic and undeniably entertaining. Sakshay has previously been 90's. Now Sakshay is put in this movie that is sleek and cool, 2000's Bollywood with all those Western movie influences, all that Hinglish. It's a very different environment, and it'll definitely give us a different kind of Sakshay chemistry, dynamic.

That's what is going to make Tashan the best movie ever. (Unless the director hates me and makes sure they don't have a single scene together.) What it is otherwise, as a movie is sort of secondary to me - more or less unimportant. The stats look good, though. The soundtrack is supposed to be rock-influenced, it's by Vishal-Shekhar and well, just look at the trailer.

I've only once previously followed a movie's release this closely and that was the Aamir-Kajol combination in Fanaa, which I ended up adoring despite flaws. I hope the obsession ends as satisfyingly this time.