Showing posts with label jodhaa-akbar. Show all posts
Showing posts with label jodhaa-akbar. Show all posts

Wednesday, February 17, 2010

Mini-reviews, part paanch.

Did you know "punch" was originally an Indian drink, and the word came from 'paanch', Hindi for five? It's true! Not to be confused with Punsch, the Swedish traditional liquor that goes by the name "punssi" in Finland, generally consumed during Shrove Tuesday, which was yesterday. I had a pulla and it was lovely.

Oh, right, mini-reviews. The idea of these is to cover many movies quickly without making a post about each of them. The previous ones are here. I might eventually review some of these at length but for now, small paragraphs will suffice! These are films I've seen ages ago, most way before I began this blog.


41. Boys (2003) - This Tamil film by Shankar is a celebration of youth, a spring-board for many a young star (or perhaps just Siddharth and Bharath). The A. R. Rahman soundtrack is modern and rocking. Too bad the movie's not great. It has some pretty nice comedy but overall it's just not up to standards set by later movies with some of the cast members, or films directed by Shankar. Still, for a Siddharth completist, it's a must-see.

42. Jodhaa Akbar (2008) - Originally reviewed here. Damn epic, glorious film. But maybe a little too epic, too glorious? The visuals are nice, the love story is wonderful and the chemistry between Aishwarya and Hrithik is certainly there, but I think it suffers from the typical Ashutosh Gowariker flaw of being overly long, and a little too packed. Nevertheless, this historical epic has it all, and the hottest sword-fight ever.

43. Don (1978) - Originally reviewed here. I like the original Don but it doesn't fall into any favourites categories. Then again, neither does the remake. It's basically just a lovely 70's classic, with a badass Zeenat performance (her character beats Priyanka in the remake any day of the week).

44. Hamesha (1997) - Ugh, almost don't want to write about this movie. So, Kajol and Saif are favourites and unfortunately this is the only film in which they are romantically paired with (Yeh Dillagi doesn't really count to me since it's clear she only loves Akshay's character in that film). It's this supposedly epic re-incarnation story that is just so horrifically 90's with the fashion and the melodrama and the mullet and it just.. Please do not watch it. Even if many people have actually enjoyed it and been like "What's wrong with you, it's great cheese!". I like cheese. But this cheese stinks.

45. Andaz Apna Apna (1994) - My favourite comedy in any language ever, reviewed here. It's also really loud and slapstick and not everybody's thing but what do I care? It is so my thing.

46. Lekin... (1990) - Slow-paced but rather interesting supernatural mystery type film from director Gulzar. I watched this because it had Vinod Khanna and Dimple Kapadia, and a brilliant dance sequence by Hema Malini, the best one I've ever seen her do. If you don't mind watching 90's Vinod, it's a good film to go for, though like most Gulzar films, it's pretty slow and has super-long song sequences. Only this director can make a poetic film about such a peculiar question as, "Do ghosts exist?".

47. Shaque (1976) - A Vinod-Shabana film I watched in sync with Carla, my review here and hers is here. It's a weird one, basically a lowkey drama film about a wife (Shabana) who suspects her husband (Vinod) has killed a man and the drifts this causes in their marriage. As a drama goes, it's pretty good, but at some point near the end the film takes a sudden left turn and goes all masala on us. It's really sad it's not a better film because if it was, it'd be the best sample of this pair's collaboration.

48. Gangster (2006) - Does anybody else feel weird talking about Shiney Ahuja after his trouble with the law regarding a rape charge? Ugh, anyway. Gangster's an okay film. I thought Kangana as the woman struggling with her love being a gangster was effective, but that's about it - I hate to be judgmental but this movie basically made sure I'll never watch another Emraan Hashmi film. The utterly ripped off soundtrack is unfortunately also very catchy. Pritam, how we hate you.

49. Patthar Aur Payal (1974) - This is basically an okay 70's masala I like perhaps a little too much for its actual quality; it's one of those films that has crystalized as special to me even though it's merely all right. Dharmendra plays a bandit reformed by the love of a good woman (Hema Malini). But naturally there's a villain (Vinod Khanna). There are some pretty nice songs, though. Here's my favourite.

50. Life in a Metro (2007) - Hey, doesn't this share a director with Gangster? This film has a cast of characters whose lives zigzag in the city of Mumbai. Again, it's an okay film with some stand-out performances (Irfan! Sharman Joshi! Konkona Sen Sharma!). Kangana again plays a deeply troubled young woman, which makes me wonder if she's being a little typecast.. The film has its good moments, which is why I could edit it down to the better storylines and cut out all the distracting songs, picturized badly on a bunch of guys who wander the streets aimlessly.

Friday, December 26, 2008

The filmi year 2008.

I already said in the review for Rock On!! that it felt like 2008 was less of a year for Indian films than 2007. Each year I miss out on films that came out during that year, and weirdly enough, the films I missed out on in 2007 (such as Chak De India, Aaja Naachle and Bhool Bhulaiyaa) were some of the ones I enjoyed the most this year. So perhaps 2008 will also reveal some interesting flicks during 2009, but so far, having seen most of the big films of 2008, I feel rather unexcited.

Filmi Girl detailed her disappointments and favourites for the past year, but I'll lay out how the year was for me in a different format.

The Film That Should've But Wasn't: Jaane Tu Ya Jaane Na

I understand I am completely in the minority for this one. I guess it was hype overkill; all the praise showered onto the movie, its plot, "freshness" and its stars, you forget it's still a debutante film director and first films are rarely if ever flawless. I liked Imraan and the kind of youthful romance/friendship themes should be exactly just my thing but something fell short in Jaane Tu. I thought about it a lot and came to the conclusion that despite loving Genelia in Bommarillu, I wasn't into her character in this film at all. While I love the song "Kabhi Kabhi Aditi", the picturization of it pinpoints what turns me off about her character; she feels things so extremely and doesn't even try to get over the devastation of losing a pet, and so comes off as this generally high maitenance little lady. I just raised my eye brow like, "Geez, cheer up emo kid!".

The romance doesn't quite work, I suppose because we see them being friends and essentially already in love. When you fail to see the process of the relationship, sometimes you buy it, sometimes it makes you feel like you're missing out on something that would've made you more into the movie.

But I don't want to argue these points - if you liked the movie, I'm happy for you. Just trying to detail the reasons - more to myself than anybody else - of why I didn't like it, even though I was so sure I would!

Ladies And Gentlemen, We Have a Clear Loser: Race

In my initial review, I was almost happy to have seen Race, because it's sometimes nice to mock something so completely. But in retrospect, god, what a wasted opportunity. You have perfectly capable actors like Saif, Anil and Akshaye, and some okay-to-whatever actresses like Bipasha and Katrina and the only real offering of the movie are awkward songs with skintastic picturizations. Yawn. And yet, this one was a box office success! India, sometimes I just don't understand you...

Veracious Goes Against The Grain: Thoda Pyaar Thoda Magic & Tashan

So I hated Race but the other two Saif films this year, yes, the ones that absolutely tanked in the box office, I quite liked! Thoda Pyaar was a saccharine sweet Disney film in Hindi but it worked, thanks to the sincerity of the director and the brilliance of Rani Mukherjee. Tashan on the other hand, flawed movie that could've been so much better, but also a fun action masala that proves why Akshay Kumar is one of the top stars in India and why Kareena Kapoor excels if you give her a good role.

Close But No Cigar: Dostana

I really enjoyed Dostana but it doesn't quite end up on the "oh em gee favouritest ever in the universe" list of films. It had flaws, but even more annoying, it had flaws that bugged me. The first half was a pretty damn good comedy, though, and I'll be getting it on DVD. The soundtrack is also my most-listened-to of the year.

Call Me a Groupie: Rock On!!

I don't have quite as clear a favourite this year as last year with Aata, a Telugu film I loved to pieces despite it's cheesiness. But if I had to pick one, it'd probably have to be Rock On!!, a fun film that I'll probably be rewatching a lot.

Missing Out on the Biggies: Bachna Ae Haseeno, Rab Ne Jodi.., Ghajini, Yuvraaj, U Me aur Hum..

It seems like the best films this year were the not-so-big, not-so-mainstream ones, but I definitely do want to see some of these big name movies. Maybe next year.

Film Experience of the Year: Jodhaa-Akbar

I saw this in the theaters thanks to being able to visit the UK in March and wow, what an experience. The most epic film of all time, surely, and the epicness was certainly over-whelming. It gets boring every now and again, but to make up for it, there's hot chemistry, intense romance and elephants. There are few things I love more than elephants. Did I mention .. elephants!

And a final plug to everybody and anybody visiting London:

Ayngaran Video
30 High Street Colliers Wood
London, SW19 2AB

Take the Jubilee Line (if I recall correctly) to Colliers Wood, follow the street you get on when you get out of the tube station, and find this shop. Ayngaran is the best releaser of Tamil DVD's and their London shop is full of offers, and a very nice helpful staff, brimming with movie recommendations. Highly recommended!

PS.

Navel-gazing ahead: Yeah, my blog was featured in the press a smidgeon this year. It was awkward, but also pretty cool. Here's the latest, on Filmfare October or November or whatever:


Thanks to Reema for the scan!

I might post before 2009, I might not. If not, have a great new year, guys!

Sunday, March 16, 2008

All your epos are belong to us. Jodhaa-Akbar.


I use the word 'epic' in stupid internet slang a lot because I'm an idiot. But it's every now and then that I discover the true meaning of epic, and no, it's not by picking up Kalevala or the Iliad, but this time, by sitting down in the enormous warmth of Manchester's Trafford Centre to watch Ashutosh Gowariker's historical epic Jodhaa-Akbar.


The film is long enough to make sure you really do feel like you're living in the world of the legendary Mughal ruler Akbar. The main character is naturally glorified in order to make him a true Bollywood hero; in the same way Mangal Pandey is credited with the 1847 uprising in The Rising, or the same way history is ignored in Asoka. Of course, the polemic will happen and has happened, but I personally decide to shrug and move along. I know the facts, I know the arguments; now let me enjoy the movie.


Even if Jodha never existed, it's a lovely tale within this epic. I saw zilch of Hrithik-Aishwarya chemistry in Dhoom 2, but in here, they were really something (even if Hrithik is again doing most of the work). I enjoyed the course of the relationship, and the few key scenes (especially the one picturized above) they had were simply terrific and loaded with hotness.


Aishwarya's acting is sufficient, and sadly that's the only word I can use to describe it. She captures Jodha's determinism but is hardly amazing. With Hrithik I'm slightly more at odds. He makes an incredibly intense romantic hero. He also has the presence of a Mughal ruler. On the other hand, I've never been in love with his more dramatic acting. Combined with the constant dramatic sound effects, it lends to a certain over-the-topness that becomes more amusing than believable.


The long movie is not without slow moments but thankfully avoids being the dragged out film Swades was. On the other hand, who can complain when the movie is this pretty? The visuals make you feel at home in your seat, even though I also had moments when I was wondering what time it was, and how I would probably faint, not thanks to Hrithik but to starvation, before the credits roll.


But back to epicness. My friend and I discussed during interval how the movie was so epicly dramatic that it sometimes felt like the air was too heavy to breathe. Dun dun dunnn! More positive aspects of Jodha-Akbar's epicness are the crowd scenes, the sets, the battles. While they in no way rival those of Lord of the Rings, on the Indian scale they are very impressive. Plus, elephants. You simply cannot go wrong with some elephants.


While I didn't love Jodhaa-Akbar, it was quite the ride, and definitely one of those films Bollywood fans at large should make sure to watch. I will also offer tons of sympathy to everybody who, like me when I'm not travelling the globe, will not be able to see this on the big screen.

Monday, February 18, 2008

A round-up of sorts.

I was going to type up a post about an old favourite of mine, Anniyan, but instead got an idea to do this..

  • I'm going to be in England - not just London - March 2nd-12th. The gods of Bollyluck are not on my side; the only decent Indian movie playing in theaters during that time will be Jodhaa-Akbar. Oh and Subhash Ghai's latest which will premiere on the 7th. Whoopdedoo. I'm disappointed but looking at the positives; JA is getting good reviews, and there is more to England than Indian movies. I am, after all, visiting about five locations and going to two gigs whilst there. And plenty of Indian food will be available!
  • Nothing new on the Tashan front. Okay, that's a big fat lie and I now it; recently Akshay replied in an interview that he looks best with Saif. I could make this stuff up but luckily this time, I didn't have to.
  • If you're tired of looking at Kareena's diet photos, Piyaara did a wonderful picspam of his favourite actresses in South-Indian films, you know, where the ladies are allowed a few pounds extra. And you know what? They still look amazingly beautiful, as this list proves.
  • I'm going to be watching a Hindi oldie called Shaque (starring Vinod Khanna & Shabana Azmi) in synch with Filmi Geek tonight. Exciting!
That's it from me for now.