Showing posts with label ashutosh gowariker. Show all posts
Showing posts with label ashutosh gowariker. Show all posts

Tuesday, June 19, 2012

30 Days of Film - Days 19 & 20.




19. Favorite period film

 In the original meme, this was "Favorite movie based on a book/comic/etc" but since again, Indian films either don't do those enough (I could think of around 6 films that I've seen that are adaptations of novels, and I didn't feel like that was a big enough pool to choose a favourite from), I decided to alter this category a bit. As always, if you feel like doing this meme and changing it back to its original, feel free.

There's been many decent period films done in Hindi films, as well as Tamil and Telugu films (though again, my experience with the latter is limited). For a moment I considered picking Jodhaa-Akbar, because for all its flaws, I remember the good bits the best - the epic scale, the fantastic songs, the strong performances and chemistry between the two leads. But then I remembered Lagaan, the director's previous period epic. I rewatched Lagaan not too long ago and it is just such a well-made film. No matter how many times I've seen it, I still find the story gripping and enjoyable. The songs are an absolute delight, the performances are well-rounded.. It is truly a modern classic, and I'm sure I'll continue to enjoy it in the coming years.



20. Favorite movie from your favorite actor

'Chiyaan' Vikram is synonymous with great, varied performances, so you must be thinking, "She could've picked Pithamagan, or Deiva Thirumagal, or Anniyan or Raavanan, or Kasi, or.." and yes, I know full-well I could've. But rather than the best performance, this meme calls for a favourite film, and as far as favourites go, it's nigh-impossible to find something I love more than Dhool.

It was the film that introduced me to Tamil masala and to Vikram, Jothika, Vivek - all these people I'd come soon to consider favourites. I realise in retrospect that to some it might be a solid masala but nothing special, and endless rewatches have shown me that the plot does wear thin on you. What remain entertaining, though, are the performances, the comedy, the songs, and the film's ability to build really good masala out of a plot that is fairly standard (one brave villager against corrupt police and corrupt politicians).

And Vikram here looks great and acts great (whether in comedy, romance or action!). If I needed to introduce somebody to Vikram, I doubt I'd go wrong in picking this film. It's just that good.

Sunday, March 16, 2008

All your epos are belong to us. Jodhaa-Akbar.


I use the word 'epic' in stupid internet slang a lot because I'm an idiot. But it's every now and then that I discover the true meaning of epic, and no, it's not by picking up Kalevala or the Iliad, but this time, by sitting down in the enormous warmth of Manchester's Trafford Centre to watch Ashutosh Gowariker's historical epic Jodhaa-Akbar.


The film is long enough to make sure you really do feel like you're living in the world of the legendary Mughal ruler Akbar. The main character is naturally glorified in order to make him a true Bollywood hero; in the same way Mangal Pandey is credited with the 1847 uprising in The Rising, or the same way history is ignored in Asoka. Of course, the polemic will happen and has happened, but I personally decide to shrug and move along. I know the facts, I know the arguments; now let me enjoy the movie.


Even if Jodha never existed, it's a lovely tale within this epic. I saw zilch of Hrithik-Aishwarya chemistry in Dhoom 2, but in here, they were really something (even if Hrithik is again doing most of the work). I enjoyed the course of the relationship, and the few key scenes (especially the one picturized above) they had were simply terrific and loaded with hotness.


Aishwarya's acting is sufficient, and sadly that's the only word I can use to describe it. She captures Jodha's determinism but is hardly amazing. With Hrithik I'm slightly more at odds. He makes an incredibly intense romantic hero. He also has the presence of a Mughal ruler. On the other hand, I've never been in love with his more dramatic acting. Combined with the constant dramatic sound effects, it lends to a certain over-the-topness that becomes more amusing than believable.


The long movie is not without slow moments but thankfully avoids being the dragged out film Swades was. On the other hand, who can complain when the movie is this pretty? The visuals make you feel at home in your seat, even though I also had moments when I was wondering what time it was, and how I would probably faint, not thanks to Hrithik but to starvation, before the credits roll.


But back to epicness. My friend and I discussed during interval how the movie was so epicly dramatic that it sometimes felt like the air was too heavy to breathe. Dun dun dunnn! More positive aspects of Jodha-Akbar's epicness are the crowd scenes, the sets, the battles. While they in no way rival those of Lord of the Rings, on the Indian scale they are very impressive. Plus, elephants. You simply cannot go wrong with some elephants.


While I didn't love Jodhaa-Akbar, it was quite the ride, and definitely one of those films Bollywood fans at large should make sure to watch. I will also offer tons of sympathy to everybody who, like me when I'm not travelling the globe, will not be able to see this on the big screen.