
I'd prefer if it was the former, but then I think back the last seven days of my life, and it has to be said: I've had plenty of Shahrukh this week.
A week ago I saw Chak De India (also at HIFF!), one of those Shahrukh films I'd been avoiding because it hadn't really interested me (simple as that!). However, I was glad to discover this was not really a Shahrukh Khan movie as much as it was a film where Shahrukh Khan plays a lead character. Some of you might be raising your eye-brows, but those of you who've seen plenty of King Khan know exactly what I mean.

Another refreshing change in the film was the lack of "negative nationalism", or in other words, extremely caricature-like negative portrayal of non-Indian characters. The foreigners are only enemies on the hockey field, and there were no racist or xenophobic insults exchanged.
The following day I watched Om Shanti Om for the third time, and I must say I find the movie less enjoyable, less encaging and more overrated with each viewing. I love me some inside jokes, and some scenes are undoubtedly as hilarious as ever (Abhishek and Akshay steal the show at Filmfare, and the build up to Dard-e-Disco picturization is great) but overall the movie just fails to keep me interested. Shahrukh's parodic hamming it up is no longer sympathetic and everything is just so distanced, I can't really believe in the characters or the story. As my friend put it, "great collection of scenes". But the best movies should be more than the sum of their parts, right?
I guess I just got a Shahrukh-overdose. And yet, today when deciding what to start my relaxing weekend with, I went with my favourite movie of his: Dilwale Dulhania Le Jayenge.

And Shahrukh as Raj is the kind of charming perfection even the man himself hasn't been able to duplicate in anything since (of course, this being merely my own view). As I was rewatching, I realized it's a combination of a lot of small things; the way he calls her "Senorita" even though the story about the Spanish girlfriend sounds a little made up, the smug expression on his face each time he tells her "nothing can go wrong" and the embarrassment when something, of course, does go wrong. But also the big things: the care-free attitude and the promise that he'll be serious when he falls in love, a promise which he of course fulfills..
Whatever the director Aditya Chopra is working on with Shahrukh right now, I know not to expect it to bring out the kind of feelings I have for DDLJ. But I suppose so long as it works, I'll be happy.