Showing posts with label sanjay leela bhansali. Show all posts
Showing posts with label sanjay leela bhansali. Show all posts

Sunday, March 29, 2009

Fifty Bollywood films BBC thinks I ought to own.

Thanks to Beth for linking to this - it's a great excuse to detail some movies I've seen, and whether I appreciate them enough to make this list. Link: BBC Asian Network's 50 Bollywood movies

There's plenty of films I don't own and have not even watched but here are some random comments.
  1. Black? Devdas? I know I'm sometimes in the minority as a Bhansali nay-sayer but come on. Really now.
  2. Guru and Yuva are both quizzical choices. I'd like to have one or the other, for Abhishek's fantastic performances in both, but Guru just was not overall great and Yuva had plenty of boring, trite stuff, too. Bombay I agree with fully, though. It might be my favourite Mani Ratnam film - if nothing else, it is amazingly touching and moving, guaranteed to make you cry.
  3. Agree with Beth on this - Munnabhai MBBS ought to be Lage Raho Munnabhai. The first one is good, the second one is absolutely stellar and one of my favourite post-2000 movies.
  4. Naseeb - goddammit, I own this movie, it has Amitabh, it has Hema and it's a Manmohan Desai. Why haven't I seen this yet? I need to prioritize!
  5. Rangeela, wow, really? Does anybody remember anything but bad fashion from that movie? If I was forced to pick a cheesy, classic but not amazing Aamir Khan film from the 90's, I would go with Raja Hindustani. It's not a clever film, far from it, but it has tons of heart. Rangeela has none, unless you count shots of the area where Urmila's heart is, I guess.
  6. Some of my ultimate favourites on the list; Seeta aur Geeta, Sholay, Dil Chahta Hai, Dilwale Dulhaniya Le Jayenge, Lagaan, Omkara, Rang De Basanti. I also really like Maine Pyar Kiya, Mughal-e-Azam, the previously mentioned Munnabhai, Qayamat Se Qayamat Tak. Good on you for including this, list. Not all faith is lost.
  7. Sarkar? Yawn. Life in a Metro? What the hell! That one was mediocre at best! Page 3? I don't know, I'm not really into these 'exposé' type of films. Yes, media and the glitz and glam of celebrities hides a lot of dirt and ugly behavior. Big shocker.
  8. Films from this list I really want to see: Maachis, Taare Zameen Par (European DVD release, please? anybody?), Pinjar and of course, Naseeb.
Two posts within 24 hours, would you believe it? Go me!

PS. Should each of us Bollywood bloggers create our own "must own" 50 film list? I'm thinking while it might be a favourites list for most, and of course, excludes those who haven't really even seen 50 movies (my numbers are only at 200 at this point..) but it's a good way to evaluate whether you think you've seen a great variety in movies or if your viewing has been more focused towards your biggest favourites or whatever. 25 must owns might be more doable? I'll sleep on this, maybe work on my list tomorrow.

Saturday, January 3, 2009

Blues and hues of Saawariya.

So there it is. Saawariya directed by that-guy-whose-style-looked-like-something-I-didn't-care-to-see, in all it's Region 2 (that's European DVD region for those unaware) glory, staring at me in the shop shelf, placed mistakenly under the "Comedy" section. I know it's probably not smart, but forgive me - I rarely see Indian movies or "Indian-esque" films in my local shop, and when I do, I go a bit crazy (this explains the Marigold DVD in my shelf). The cover says "A genuine Indian Bollywood-movie" in Finnish - yes, as opposed to those ungenuine Indian Bollywood movies.

And so I do buy it, even though I'm almost certain I won't love it and pop it in on New Year's Eve.

The plot shouldn't be new to anybody. Based off Dostoyevski's "White Nights", Ranbir Kapoor (son of Rishi & Neetu) plays Raj, who comes to a very blue town to become a successful poet or musician, or something. He's like a Guru Dutt character on a sugar high, whose poetry sounds more cheesy than genuine. He meets Gulabji (Rani Mukherjee, probably the best performance and character in the film), a prostitute who he befriends and ends up falling in love with the beautiful Sakina (Sonam Kapoor, daughter of Anil), who is waiting for her own love, Imaan (Salman Khan).
Yadda yadda yadda. Sonam and Rani are both fantastically beautiful, Ranbir is generally good and proves he is capable of dancing like any new generation star should be, Salman gets to be effective (with kohl!) and the youngsters manage some very good, very convincing scenes together. But little by little, I realize I don't really care for the movie. It's not exactly dislike - it's simply apathy towards the story, towards the characters and their fates. When the film ends, I sort of shrug. "Already? Okay."

The dark blue colour scheme starts out lovely and the visuality of the film is undeniable, but it all gets to be a bit too much at some point. It just feels like it doesn't serve a purpose of any kind; had the story kept me engrossed in the film, I might've found it interesting or potentially meaningful. Like maybe the mood of the film changes the way I perceive the colours of it. But that doesn't really happen; the visuality of it seems skin-deep, if even that. I screencapped a lot, especially the lovely ladies of the film, but I would not call it the prettiest Hindi film ever.

So unfortunate. The songs, even though I quite liked them, felt awkwardly paced and whatever other things I found promising or good, I ended up being quite disappointed in. Raj starts out a funny, likable character and ends up going through a puzzling metamorphosis into a crazy-in-love guy that might've been more understandable, had the script been stronger. Sakina also suffers from mild insanity caused by love, but for whatever reason, it seems just the tiny bit more believable. The poetic dialogues - or wannabe-poetic if nothing else - seem to slow everything down and even though I had subtitles in my own language, I kept zoning out on the story and what was being said.

Oh well. I try to remember the things I did like - Gulabji and the kids when they're in the first stages of getting to know one another. The rest, to quote Avril Lavigne's ever-green tune "Girlfriend", is quite simply "so whatever".